Showing posts with label Eric Dolphy. Show all posts
Showing posts with label Eric Dolphy. Show all posts

Thursday, March 3, 2011

A Poem for Eric Dolphy


Here's my poem from Upstairs at Duroc, Issue 12:

RINGS (for Eric Dolphy, 1964)
by Lauren Camp

On a ledge, I align 20 stones,
dark ovals smooth as the inside of my thigh, small orbs

ringed with white.
“Something Sweet, Something Tender,”

circles written when the seas retreated,
the raw song of mourning.

Dolphy’s clarinet turns a slow tide that surges and drifts.
He holds a bag of logic and many colors

fitted into keys, an anthem of sense and anger,
the loud shadow of a burden. His reed pushes, scatters.

Vibes burble on the ocean of tomorrow
as bass strings sink spasms

of plodding sadness in cool air; each returning swell
a sphere collected on a beach the size of sound.

The trumpet comes in sullen; tones drop
like an anchor.

No one realizes, and a soul bleeds.
New language forms.

Everyone collects behind the beat
until the clarinet grabs a line and knots up dusk

with ginger-sharp thought.
Understanding makes me dizzy. My pulse syncopates

in rhythm to the plucked, torn sound,
a noise that wears itself down, the chunked voice

of five men playing a deep confusion layered by time,
the sediment constantly smoothing, forever softening,

until all that remains is dark –
rimmed with a white bracelet from another era.


Wednesday, March 2, 2011

Alice Notley, Eric Dolphy and Upstairs at Duroc

Saxophonist Eric Dolphy:
the subject of my poem in the latest issue of Upstairs at Duroc



I’ve been reading the latest issue of Upstairs at Duroc. This international journal comes out once a year; this is the 12th issue.
Published in Paris, Upstairs at Duroc is filled with literary works of prose and poetry in English.

I'm about halfway through the issue.

Alice Notley’s work is included, which isn’t so odd, seeing as she lives in Paris.  I knew of Notley from Grave of Light, which collects her writing from 1970-2005. I’ve included some of those poems on my show, “Audio Saucepan.”

The 4-page piece in Upstairs at Duroc begins with the author in conversation with a word. Or no, it begins with a conversation with someone named Marie.

It returns to the idea of the word as person, a thing that can talk, that can ask questions. This is one of the things that I love about poetry, the way it grabs my hand and takes me into the surreal.  Suddenly, I’m in a place where “the word” talks.

That, in itself, is dimensional.  Of course, we all use words to talk, but this word has emotion; it thinks and feels. It talks back.

Alice Notley’s writing makes me certain I’ve walked into a dark tunnel. Even though I don’t know what’s happening, I like it in there. It’s weird, but it feels good. Cool and damp on my skin.

Turns out, this is an excerpt from Notley’s new book, Culture of One, due out next month from Penguin. It’s about the Southwest - my home. I want to read more….

And, by the way, one of my jazz poems is in this issue of Upstairs at Duroc – a piece about jazzman Eric Dolphy.